⭐⭐⭐⭐⭐ Tsai Ming-Liang
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STRAY DOGS - Tsai Ming-liang (trailer)
Two women loudly chew watermelon seeds in one of the back rows, while a wandering man makes homosexual advances in the corridors. One patron puts his dirty feet up on the seat in front of him; another spreads rumours that the building is haunted. Goodbye, Dragon Inn is a beautiful film. With scarce dialogue, few camera movements, and an average shot length of 55 seconds, it offers a deeply contemplative meditation on the forgotten magic of the cinema as an institution.
Whether observing a stroll down the well-trodden corridors, a lone usher completing menial tasks, or simply the dark blanket of the auditorium itself, each shot is composed to encourage a full ingestion of the architecture and atmosphere of this ancient temple of exhibition. As this stunning restoration illustrates, a sense of energy is palpable in the striking colours that light up each shot, from the flickering yellow foyer lights to the pastel-blue bathroom tiles, bright red cinema seats and the green, paint-flecked concrete walls.
In a climactic scene, the screening ends and the lights come up in the Fu-Ho Theatre, leaving a fixed camera to observe the empty seats for a full five minutes in a profound display of loss, even sadness. While they have long since disappeared, it was his warm memories of these places that inspired him to make something new. Tags: Tsai Ming-Liang. His focus on transformation deepens his audience's understanding of the aesthetic, psychological, and cultural impact of his world. Tsai Ming-liang. All of his films inhabit a world of contemporary urban angst and disconnection. They are not easy on the viewer - but they are not meant to be - and their moods can be hard to pin down.
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