⭐⭐⭐⭐⭐ Cultural Identity: What Makes Me Who I Am

Wednesday, October 06, 2021 6:26:42 PM

Cultural Identity: What Makes Me Who I Am



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Discovering my Cultural Identity

I would have never known how much my friends mean to me or how my identities connect with each other. I have three identities that make me who I am, cultural, personal, and social. A specific quality that covers my cultural identity is being Czechoslovakian. Both sides of my family have at least a part of Czech in them. My great-grandparents. My Cultural identity The pendulum in a grandfather's clock speaks to me the most.

It swings back and forth between two sides, never truly belong in neither. Growing up, this is what I have always felt, whether it was my ethnicity, cultural identity, or my social identity encompassing my ideology and political opinions. It was a challenge, to say the least. My two drastically different worldviews were in constant conflict. Today, as an adult, I have come to the realisation that there was no need.

My endeavors of wearing the bearcat costume speak not only to a love for making people smile, but of constantly breaking the mold of an identity I project, becoming an antithesis to what I seem to the world. Like any other high school student, I relish in the comfort of my enduring group of friends. Being the mascot allows me to interact with peers from all walks of life. By assuming a new identity, I make this possible. As a kid, the concept of antithesis encompassed many of my childhood. I, like the patriarchs, identify myself by these standards and uphold them even during a challenge because these markers establish who I am as a person and the fundamental principle of my being.

By staying true to these markers, I represent my passions while not breaking under the pressure of society. Religion and education are my core identity markers. By educating myself, I know that I will. Many skills that I have learned are being to identify and understand my interpersonal skills and facilitating skills. Through the course I have been able to undergo a shift in my identity as I thought I knew who I was. Yet I come to class asking the same question, who I am, constantly. I think this also has helped me identify what skills are those that I have learned and those that I have made even stronger. Another skill that I have gained to appreciate more is storytelling and the important role. Students represent their personal interests, abilities, and family relationships on a poster and then discuss what they included and why it was included.

Students present their application for the Mars One project, explaining how they would be suited to the project and how they would deal with issues they would likely face. Applied Design, Skills, and Technologies K 1 2 3 4 5 6 7 8 9 10 11 Physical and Health Education K 1 2 3 4 5 6 7 8 9 10 11 English Language Arts K 1 2 3 4 5 6 7 8 9 10 11 Additional Offerings. Introduction Illustrations Resources. Communication Communicating Collaboration. Home Core Competencies Personal and Social. Positive Personal and Cultural Identity.

Back to Thinking. Facets Profiles Connections Illustrations. Understanding relationships and cultural contexts Students understand that their relationships and cultural contexts help to shape who they are. Recognizing personal values and choices Students define who they are by what they value. Identifying personal strengths and abilities Students acknowledge their strengths and abilities, and they intentionally consider these as assets, helping them in all aspects of their lives.

Profile 1. I am aware of myself as different from others. I know my name. I can describe different aspects of my identity. I have pride in who I am. I understand that I am a part of larger communities. The Core Competencies relate to each other and with every aspect of learning. For example: As students generate creative ideas, they strengthen their appreciation of their strengths and abilities and intentionally use them during this process Students use critical thinking and reflection to explore their personal and cultural narratives and to understand how these narratives help shape their identity.

Communication Positive Personal and Cultural Identity is closely related to the two Communication sub-competencies, Communicating and Collaborating. For example: As students develop and refine their communication competence, they can increasingly demonstrate pride in who they are As students collaborate, they become increasingly able to identify how to use their unique strengths and abilities to contribute to a variety of situations. For example: Students use their personal awareness to identify their strengths and abilities Students use their social awareness to understand how their relationships and cultural contexts shape who they are.

Positive Personal and Cultural Identity , Communicating We Are All Related Students represent their personal interests, abilities, and family relationships on a poster and then discuss what they included and why it was included. Positive Personal and Cultural Identity Reflection on School Experience and Goals for the Future A student creates a presentation reflecting on their school experience and goals for the future. Positive Personal and Cultural Identity , Communicating , Critical and Reflective Thinking , Personal Awareness and Responsibility Persistence A student explains how he learned to be persistent and why that trait is important to him.

Positive Personal and Cultural Identity , Communicating , Critical and Reflective Thinking , Personal Awareness and Responsibility Mars Mission Students present their application for the Mars One project, explaining how they would be suited to the project and how they would deal with issues they would likely face. Can I have one more kiss? Just one more laugh we can share? We wish for these experiences to just happen once more as if that would ever be enough. The reality is that even if we were privileged with one more, we would want another.

And another. We'd never be satisfied. We'd eventually just wish for eternity. Loss is necessary. Loss is natural. Loss is inevitable. Loss was never defined as easy. In fact, it has to be hard. It has to be hard for us to remember. To remember those warm embraces, to remember the feeling of their lips on yours, and to remember the smile on their face when you said something funny. But why are we so afraid of loss after all? We are so blessed to have experienced it to begin with. It means there was a presence of care. That ache in our heart and the deep pit in our stomach means there was something there to fill those vacant voids. The empty spaces were just simply whole. We're all so afraid of change. Change in our love life or our families, change in our friendships and daily routines.

One day we will remember that losing someone isn't about learning how to live without them, but to know their presence, and to carry what they left us behind. For everything we've deeply loved, we cannot lose. They become a part of us. We adapt to the way they talk, we make them a part of our Instagram passwords, we remember when they told us to cook chicken for 20 minutes instead of We as humans are so lucky to meet so many people that will one day leave us. We are so lucky to have the ability and courage to suffer, to grieve, and to wish for a better ending. For that only means, we were lucky enough to love. When Sony announced that Venom would be getting a stand-alone movie, outside of the Tom Holland MCU Spider-Man films, and intended to start its own separate shared universe of films, the reactions were generally not that kind.

Even if Tom Hardy was going to take on the role, why would you take Venom, so intrinsically connected to Spider-Man's comic book roots, and remove all of that for cheap action spectacle? Needless to say I wound up hopping on the "lets bash 'Venom'" train. While I appreciated how much fun Tom Hardy was having and the visual approach to the symbiotes, I couldn't get behind the film's tone or story, both of which felt like relics of a bygone era of comic book storytelling that sacrificed actual pathos for that aforementioned cheap spectacle. But apparently that critical consensus was in the minority because audiences ate the film up.

On top of that, Ruben Fleischer would step out of the director's chair in place of Andy Serkis, the visual effects legend behind characters like 'The Lord of the Rings' Gollum and 'Planet of the Apes' Caesar, and a pretty decent director in his own right. Now with a year-long pandemic delay behind it, 'Venom: Let There Be Carnage' is finally here, did it change my jaded little mind about the character's big-screen worth?

Surprisingly, it kind of did. I won't pretend that I loved it by any stretch, but while 'Let There Be Carnage' still features some of its predecessor's shortcomings, there's also a tightness, consistency and self-awareness that's more prevalent this time around; in other words, it's significantly more fun! A year after the events of the first film, Eddie Brock played by Tom Hardy is struggling with sharing a body with the alien symbiote, Venom also voiced by Hardy. Things change when Eddie is contacted by Detective Pat Mulligan played by Stephen Graham , who says that the serial killer Cletus Kasady will talk only with Eddie regarding his string of murders.

His interview with Kasady played by Woody Harrelson leads to Eddie uncovering the killer's victims and confirming Kasady's execution. During their final meeting, Kasady bites Eddie, imprinting part of Venom onto Kasady. When Kasady is executed, the new symbiote awakens, merging with Kasady into a bloody, far more violent incarnation known as Carnage. It's up to Eddie and Venom to put aside their differences to stop Carnage's rampage, as well as Frances Barrison played by Naomi Harris , Kasady's longtime girlfriend whose sonic scream abilities pose a threat to both Venom and Carnage. So what made me completely switch gears this time around? There's a couple reasons, but first and foremost is the pacing.

Serkis and screenwriter Kelly Marcel know exactly where to take the story and how to frame both Eddie and Venom's journeys against the looming threat of Carnage. Even when the film is going for pure, outrageous humor, it never forgets the qualms between Eddie and Venom should be at the center beyond the obvious comic book-y exhibitions. If you were a fan of Eddie's anxious sense of loss, or the back-and-forth between he and the overly eccentric Venom, you are going to love this movie.

Hardy has a great grasp on what buttons to push for both, especially Venom, who has to spend a chunk of the movie contending with losing Eddie altogether and find their own unique purpose among other things, what is essentially Venom's "coming out" moment that actually finds some weight in all the jokes. Then there's Harrelson as Carnage and he absolutely delivers! Absolutely taking a few cues from Heath Ledger's Joker, Harrelson is leaning just enough into campy territory to be charismatic, but never letting us forget the absolutely shattered malicious mind controlling the spaghetti wrap of CGI.

Serkis' directing itself deserves some praise too. I can't necessarily pinpoint his style, but like his approach on 'Mowgli,' he has a great eye for detail in both character aesthetics and worldbuilding. That goes from the symbiotes' movements and action bits to bigger things like lighting in a church sequence or just making San Francisco feel more alive in the process.

As far as downsides go, what you see is basically what you get. While I was certainly on that train more here, I also couldn't help but hope for more on the emotional side of things. Yes, seeing the two be vulnerable with one another is important to their arcs and the comedy infusions work more often than not, but it also presents a double-edged sword of that quick runtime, sacrificing time for smaller moments for bigger, more outrageous ones.

In addition, while Hardy and Harrelson are electric together, I also found a lot of the supporting characters disappointing to a degree. Mulligan has a few neat moments, but not enough to go beyond the tough cop archetype. The only one who almost makes it work is Naomi Harris, who actually has great chemistry with Harrelson until the movie has to do something else with her. It's those other characters that make the non-Venom, non-Carnage moments stall significantly and I wish there was more to them. I wouldn't go so far as to have complete faith in this approach to Sony's characters moving forward — Venom or whatever larger plans are in the works — but I could safely recommend this whatever side of the film spectrum you land on. This kind of fun genre content is sorely needed and I'm happy I had as good of a time as I did.

The sequel to the reboot is an enjoyable, but unremarkable start to the Halloween movie season. There's a reason why the Addams Family have become icons of the American cartoon pantheon although having one of the catchiest theme songs in television history doesn't hinder them. The family of creepy but loveable archetypes have been featured across generations, between the aforementioned show, the duo of Barry Levinson films in the '90s and, most recently, MGM's animated reboot in That project got a mostly mixed reception and, while I'd count me as part of that group, I thought there was more merit to it than I expected. The characters and animation designs felt kind of unique, and when it surpassed whatever mundane story the writers had in mind to be more macabre, it could be kind of fun.

This is to say my reaction wasn't entirely negative when the sequel was announced, as well as just forgetting about it until I got the screening invitation. With that semblance of optimism in mind, does 'The Addams Family 2' improve on the first film's strengths? Unfortunately, not really. There's fun to be had and the film clearly has reverence for its roots, but between the inconsistent humor and lackluster story beats, what we're left with feels just a bit too unexceptional to recommend. Some time after the events of the first film, Wednesday Addams voiced by Chloe Grace Moretz has made an incredible discovery: a way to transfer personality traits from one living being to another.

While she looks to grand ambitions for her education, her parents, Gomez and Morticia voiced by Oscar Isaac and Charlize Theron respectively believe they are losing her and her brother, Pugsley voiced by Javon Walton , as they get older. The solution: a family road trip cross country alongside their Uncle Fester voiced by Nick Kroll and butler Lurch voiced by Conrad Vernon visiting all the great destinations of the United States. Along the way, a subplot begins to unfold with Rupert voiced by Wallace Shawn , a custody lawyer seemingly convinced that Wednesday is not Gomez and Morticia's biological daughter, and the enigmatic scientist, Cyrus Strange voiced by Bill Hader , who takes an interest in Wednesday's potentially terrifying work. With the exception of Javon Walton replacing Finn Wolfhard, the voice cast returns for the sequel and they're mostly capable here.

Oscar Isaac and Charlize Theron embody a lot of Gomez and Morticia's obsessively sincere dynamic it legitimately makes me think they'd be good in live-action and Nick Kroll delivers a bounty of one-liners that are sure to get a laugh here and there. But the real focus is on Wednesday, who very quickly becomes the center of the film's narrative and it's where I become the most conflicted. The choice to tease Wednesday's "true" connections to the other Addams is admittedly intriguing, especially for how eclectic their backstories are and the film's choice to frame those questions around Wednesday and Morticia's estranged bond.

It's not a lot, but there is some subtext about how children can potentially view the adoption process and how parents choose to frame their relationships with their children. The animation isn't particularly great, but like the first film, I admire how the character designs all feel uniquely bizarre, again ripped right out of Charles Addams original comic strips and getting moments to be themselves. In addition, while the humor is completely inconsistent, I counted at least half a dozen jokes I cracked up at, most of them leaning into the morbid side of the Addams' personalities and one weirdly placed joke at a gas station don't ask, I can't explain it.

Getting back to that original Wednesday narrative though, I found myself getting increasingly bored by it as the movie went on. For as cliched as the movie's story was, it at least felt like an Addams Family movie, with stakes that consistently affected the entire family. But between Wednesday's forays into Captain Kirk-esque monologues, Fester's subplot with the fallout from Wednesday's experiment, and occasionally shifting back to the house under the protection of Grandmama voiced by Bette Midler , the movie feels incredibly disjointed. When the film does finally line up its story after over an hour of setup, it feels too little too late, all in the service of a big obligatory action sequence that is supposed to act as the emotional climax and falls completely flat.

It's not that a minute movie can't support these characters, but rather that it chooses to take them away from situational, self-aware comedy moments to make it feel more important. We love the Addams because they're weird, they don't quite fit in, but they're so sincere and loving that you can't help but get attached to them and the film loses interest in that appeal relatively quickly.

There's a joke where Thing is trying to stay awake and has a cup of coffee in the camper. It's the most disturbing part of the movie, I haven't stopped thinking about it, and now that image is in your head too, you're welcome. Like its predecessor, I'm probably being way too kind to it considering how utterly unimpressive it can feel, grinding to a halt to make its stakes more theatrical on several occasions. That being said, I can't deny the characters are fun when they get the chance to be, there are some decent jokes, and for a potential Halloween watch, it's a family movie on several levels.

Its always nice to see the Addams pop up on the big screen in whatever capacity they might, but my enjoyment of this movie comes with an abundance of unnecessary caveats.

I believe this because I am Chromium 6 Case Study and the way I dress, what type of Cultural Identity: What Makes Me Who I Am I listen to. While I appreciated how much fun Tom Hardy was having and the visual approach to the symbiotes, I couldn't get behind the film's Cultural Identity: What Makes Me Who I Am or story, Cultural Identity: What Makes Me Who I Am of which felt like relics of a bygone era of comic book storytelling that sacrificed actual pathos for that aforementioned cheap spectacle. Resources in your library. Cultural Identity: What Makes Me Who I Am Mission. Over time, a student develops a body Cultural Identity: What Makes Me Who I Am creative work exploring Cultural Identity: What Makes Me Who I Am theme of identity.

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