① Meals On Wheels Case Study

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Meals On Wheels Case Study



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Place an Order. Thanks 4. At the age of 14, Hung was selected by a teacher who had connections to the Hong Kong film industry to perform stunts on a movie. This brief foray into the industry piqued his interest in film and he took particular interest in the operation of film cameras. Among the exercises featured in the film are numerous acrobatic backflips, and hours of handstands performed against a wall. Despite some of the more brutal exercises and physical punishments shown in Painted Faces , Hung and the rest of the Seven Little Fortunes consider the film a toned-down version of their actual experiences. Hung appeared as a child actor in several films for Cathay Asia and Bo Bo Films during the early s.

His film debut was in the film Education of Love. The majority of Hung's performance was alongside another actor portraying Zhou Tong , Yue's elderly military arts tutor. Between and , Hung worked on over 30 wuxia films for Shaw Brothers, progressing through the roles of extra , stuntman, stunt co-ordinator and ultimately, action director. Also in , he was seen in the Bruce Lee classic, Enter the Dragon. Hung was the Shaolin student Lee faces in the opening sequence. Toward the late s, Hong Kong cinema began to shift away from the Mandarin -language, epic martial art films popularized by directors such as Chang Cheh.

In a series of films, Hung, along with Jackie Chan , began reinterpreting the genre by making comedic Cantonese kungfu. While these films still strongly featured martial arts, it was mixed with a liberal dose of humour. In , Hung was given his first lead role in a Golden Harvest production, in the film Shaolin Plot. His next film, released the same year, was also his directorial debut, The Iron-Fisted Monk , one of the earliest martial art comedies. In , Raymond Chow gave Hung the task of completing the fight co-ordination for the re-shoot of Game of Death , the film Bruce Lee was unable to complete before his death in As his elder, Sammo's films were expected to surpass Chan's in popularity.

However, during filming Yuen Siu Tien died of a heart attack. He was replaced by Fan Mei Sheng and Yuen's absence may have led to low ticket sales. As Hung's fame grew, he used his newly found influence to assist his former China Drama Academy classmates, as well as the former students of "rival" school, The Spring and Autumn Drama School. In and , Hung made two films that contain fine examples of the Wing Chun style. The first, Warriors Two was the most significant role to date for South Korean super kicker Casanova Wong , who teamed up with Hung in the final fight.

The release of The Prodigal Son , along with another film directed by and co-starring Hung, Knockabout also shot his fellow Opera schoolmate Yuen Biao to stardom. Hung's martial arts films of the s helped reconfigure how martial arts were presented on screen. While the martial arts films of the s generally featured highly stylised fighting sequences in period or fantasy settings, Hung's choreography, set in modern urban areas, was more realistic and frenetic - featuring long one-on-one fight scenes. The fight sequences from several of these films, such as those in Winners and Sinners and Wheels on Meals came to define s martial arts movies.

Hung, Chan and Yuen were known as the 'Three Dragons' and their alliance lasted for 5 years. Although Yuen continued to appear in the films of Hung and Chan, the final film to date starring all three was 's Dragons Forever. Hung was also responsible for the Lucky Stars comedy film series in the s. These first three films featured Chan and Biao in supporting roles. Hung also produced and played a supporting role in the fourth film, Lucky Stars Go Places , and made a cameo appearance in the sixth and final film, How to Meet the Lucky Stars During the s, Hung was instrumental in the creating the jiangshi genre —a " jiangshi " being hopping re-animated corpses - a Chinese equivalent to Western vampires.

Two landmark films, Encounters of the Spooky Kind and The Dead and the Deadly featured jiangshi who move in standing jumps towards their victims, as well as Taoist priests with the ability to quell these vampires and at times, each other through magical spells and charms. Hung's jiangshi films would pave the way for films such as the popular Mr. Vampire , which he also produced, and its sequels. He revitalised the subgenre of female-led martial art films, producing cop films such as Yes, Madam a.

After some relatively poor performances at the domestic box-office, Hung had a dispute with studio head, Raymond Chow. Hung had produced the thriller Into the Fire , but Hung felt Golden Harvest had withdrawn the film from cinemas too soon. The disagreement led to Hung parting company with Golden Harvest in , after 21 years with the company. Whilst continuing to produce films through his own company Bojon Films Company Ltd , Hung failed to equal his early successes. His fortunes improved somewhat as the helmer of Mr.

Nice Guy , a long-awaited reunion with Chan. The hour-long shows were a surprise success and installed Hung as the only East Asian headlining a prime time network series. The television series was executive produced and occasionally directed by Stanley Tong , and co-starred Arsenio Hall. Hung reportedly recited some of his English dialogue phonetically. During —, Hung expressed interest in creating a film adaptation of the video game Soulcalibur. Hung had the idea of producing a martial arts epic with Chen Lung Jackie Chan in the lead role, but the film was never made. Hung's plans were detailed on his website, but after a year the announcement was removed.

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